COUP D'ETAT AND SUMMER IN THE COUNTRY

     On Tuesday, 30 May 1961, the dictator Rafael Trujillo was shot and killed when his blue 1957 Chevrolet Bel Air was ambushed on a road outside Santo Domingo, the Dominican capital. The conspirators, however, failed to take control of government. The Trujillo family put the SIM (Military Intelligence Service) to work to hunt down the members of the plot, and brought back Ramfis Trujillo from Paris to step into his father's shoes. His son Ramfis assumed de facto control. The response by SIM was swift and brutal. Hundreds of suspects were detained, many tortured, and executed. The efforts of the Trujillo family to keep control of the country ultimately failed. A military uprising in November and the threat of American intervention set the final stage and ended the Trujillo regime. In November 1961, the Trujillo family was forced into exile, fleeing to France, and the heretofore puppet-president, Joaquín Balaguer, assumed effective power.
     At the insistence of the United States, Balaguer was forced to share power with a seven-member Council of State, established on January 1, 1962, which included moderate members of the opposition. After an attempted coup, Balaguer resigned and went into exile on January 16. The reorganized Council of State, under President Rafael Bonnelly headed the Dominican government until elections could be held.
     These elections, in December 1962, were won by Juan Bosch, a scholar and poet who had founded the opposition Partido Revolucionario Dominicano (Dominican Revolutionary Party, or PRD) in exile, during the Trujillo years. His leftist policies, including land redistribution, nationalization of certain foreign holdings, and attempts to bring the military under civilian control, antagonized the military officer corps, the Catholic hierarchy, and the upper-class, who feared another Cuba. In September 1963 Bosch was overthrown by a right-wing military coup led by Colonel Elías Wessin, and was replaced by a three-man military junta. Bosch went into exile to Puerto Rico. Afterwards a supposedly civilian triumvirate established a de facto dictatorship.
     Those were years of political unrest, but, being a boy of seven years of age, I don’t remember much of it. What I mostly retain from that time are happy memories of summers spent at my grandma’s farm. Sometimes I was accompanied by some of my brothers or cousins. The stay at grandma’s farm was always a cornucopia of extraordinary activities: tobogganing on a yagua (the thick woody sheathing of the yagua palm tree branches), over the carpet of slippery leaves under the cocoa trees; collecting the mangoes and avocadoes that the wind had knocked down the night before; digging sweet potatoes.
     Grandma was a widow. Only two of her unmarried daughters lived with her, and they had to work on the field. I particularly enjoyed accompanying her when she went to the fields to plant seeds. With her machete she would inflict a wound on the ground, and I would put the seed in it.
     The countryside was beautiful, shining, and magical during the day. Birds and cicadas sang and buzzed in the branches of the chestnut trees. The hills loomed high across the stream. The wind whistled, sometimes furiously, sometimes playfully, on the tops of the mango trees, making them look like living giants. The fields of corn, plantain, cassava, coffee, and cocoa were a testimony to the generosity of mother earth. But at nightfall, without electric lighting, the dell where grandma lived, escorted by two hills, whose elevation seemed to have no end, was dark. Looking through the windows of the ranch to the spooky shadows that ruled outside, the countryside became a fearsome place, haunted by monsters, ghosts, and demons.
     That’s when I would seek grandma’s company who, sitting at the dining table, was doing something, like making a quilt, by the light of the kerosene lamp. She knew me very well, and knew what was going through my mind. I would sit on a chair next to her, cross my arms on the table, and bury my face in them, as though ignoring the shadows covering the ranch were to protect me against the evil creatures lurking in the night, hiding behind the trees. After that I would wait for grandma’s hand, which invariably would start caressing my hair until I fell asleep.

© William Almonte Jiménez, 2015